EXHIBITIONS

My exhibition work sits between light, material, and language. Each piece is reduced to its essentials: clarity, tension, and a single idea held with focus. The works are minimal, precise, and designed to shift perception.

Ad Infinitum Exhibition, Melbourne
Light / Installation / Art
Ad Infinitum explored repetition, reflection, and controlled light through a series of sculptural Tunnel Light Boxes and neon word works from the Talking Type series.

Using mirror depth and spatial compression, the works created contained loops of light that held the viewer in a calibrated pause. Rather than suggesting endlessness, the work focused attention through repetition, symmetry, and visual restraint.

The Talking Type works extended this approach through language, using illuminated typography as psychological and spatial markers rather than decoration.

Originally exhibited at the Luce Exhibition (Hall & Wilcox, Melbourne, 2013), the works later appeared at White Night Melbourne (2018) for Euroluce Luxury Lighting. Select works are now held in private collections and design-led interiors.

Wildhide Exhibition, Melbourne
Concept / Curation / Materials
The Wildhide exhibition presented large, rare Nguni cow hides sourced from South Africa, treating each hide as an abstract sculptural object rather than decorative material.

Working with specialists from the National Gallery of Victoria, I developed a discreet magnetic suspension system that allowed the hides to float cleanly from the wall. This shifted the focus toward texture, pattern, scale, and material presence.

The exhibition explored restraint, contrast, and natural composition, framing each hide as an individual artwork with its own visual identity.