My exhibition work sits between light, material, and language. Each piece is stripped back to its essentials: clarity, tension, and a single idea held with focus. The works are precise, minimal, and built to shift perception.

Ad Infinitum Exhibition, Melbourne
Mixed Media / Light / Spatial Installation
A study in repetition and controlled light, the Ad Infinitum exhibition used mirror depth and spatial compression to create contained loops of light that held the viewer in a calibrated pause. Rather than suggesting endlessness, the work focused attention, using repetition, symmetry, and reflection to build a visual signal that asks the viewer to engage.

The exhibition presented a series of sculptural LED Tunnel Light Boxes alongside neon word works from the Talking Type series, where language and light intersect. The typography carried tone and subtext, turning words into spatial markers rather than decoration.

Originally exhibited at the Luce Exhibition (Hall & Wilcox, Melbourne, 2013), the works later appeared at White Night Melbourne (2018) for Euroluce Luxury Lighting, with select commissions now held in private collections and design-led interiors.

Wildhide Exhibition, Melbourne
Curated / Materials / Conceptual
The Wildhide exhibition, Melbourne, presented large, rare Nguni cow hides sourced from South Africa. Each hide was treated as an abstract object, a reminder that nature remains the most uncompromising designer.
Working with specialists at the National Gallery of Victoria, I developed a discreet magnetic hanging system to suspend the hides cleanly off the wall. The result transformed raw material into sculptural presence, allowing texture, pattern, and weight to read as form rather than decoration. The hides were curated as individual artworks, adding to their impact.